Feedback from Peter Knight's Masterclass Weekend: 12th and 13th of June 2010. All comments reproduced with permission. Cornelia Erdmann - Germany I want to thank you, Debs, for encouraging me to join masterclasses and
you, Peter, just for being yourself and supporting us in such a friendly, delighting way. Chris Nelson (Duo:
Chis and Siobhan Nelson) Once again, it was a real pleasure, spending time in a very open and trusting
group of people, sharing our music and, I think, rather more. I found this year's group to be the best yet in
that respect, and the group dynamic, particularly during the evening concert, was very special. As on previous
occasions, I found listening to the different members of the group, at various points during the weekend, as you
helped them to make their own music, to be a very emotional experience. I have enjoyed playing this instrument most of my life, but have always
believed that I had reached the limit of my capabilities for musical expression years ago; I would never have thought
that, as I entered my fifties, my playing would undergo such a profound change. Thank you Peter. Thank you so much for another fabulous weekend of musical magic in Oddington
– and another injection of ideas and inspiration to move my playing on. The masterclass was very different for
me this year, but hugely enjoyable and worthwhile in so many ways. I feel so privileged to have taken part as well
as re-energised musically. One thing did not change at all. The warmth of your welcome, the time and
energy you both devoted to making each person feel valued and at ease were all as strong as ever. Thank you for
looking after us all so well. Please pass on my thanks too to Roger and Vince, both for their playing and their
generosity in sharing their experiences and thoughts with us. And of course to Mo for cooking up such as feast!
What a special and wonderful group of people. Well - don't quite know where to start in writing to say thank you for another
masterclass weekend. So I'll start with thanking you for the fact that we were looked after so well. Lovely food
- big thank you to Mo- and such a lot of excellent organisation which made the weekend go very smoothly and enabled
the participants to enter into the weekend feeling spoilt, free to concentrate on the music and on the experience
of sharing with, and supporting each other. And so for me the next part of this journey is to explore how the deepest
stuff feeds into the music - and I am apprehensive and excited about that, and I remember "By risking nothing
we risk everything".
Feedback from Peter Knight's Masterclass Weekend: 6th and 7th of June 2009. All comments reproduced with permission.
Fran Broady (ex Shave the Monkey) With Love, Fran. I wanted to e mail and say so many things about this weekend but find the
only thing I can write at present is a very deeply felt and seemingly inadequate thank you. Like everyone else
I am in the process of letting the huge thing that has happened in the last couple of days settle. Lots of Love, Christine Chris Nelson A quick message, just to say how much I enjoyed, and benefited from, the
weekend. On Sunday, when we went around the room three times (while Roger and Geoff
broke the record for playing two chords) I was astonished at how some people went for it. Jo's pizzicato and Aly's
third one were particularly memorable for me, and Steve's 'attack' really seemed to mean something too. Anyway, thanks once again to you both (and to Mo & family, Roger and
Vincent) for all your hard work that made for another unforgetable weekend. Very Best Wishes, Chris.
Reviews of the Masterclass Weekend: September 2008. 13th and 14th September 2008, 28 September 2008 One example of this was a group session in which, by showing each student
in turn how best to approach a specific aspect of their playing, Peter was effectively showing all of us how to
approach it. 20 September 2008
And I'd like to thank every single member of the group, including Roger, for their kindness. It was amazing to
be surrounded by (so well playing) fiddlers and guitarists while making music with them.
On my way back to Heathrow tears were rolling down my cheeks, not because I was feeling bad, but because I was
so deeply moved by all these experiences. I learnt a lot and I have just said to my metromone, "He guy, sorry
for having neglected you for such a long time. Let's play together!"
On a practical level, I really appreciated the time you spent during this Masterclass on rhythm. I have been aware
for some time that this is an area where I want to improve (especially when playing with Siobhan, where it is down
to me to set and maintain the tempo) so I have bought a new (louder) metronome and I intend to work on this. Also,
the little session we did on playing to an unfamiliar chord sequence was a delight!
Fran Broady (Shave the Monkey)
Apart from playing from the heart, and working out what that means for me, the main message in my head now I’m
back at home is to work on rhythm. The time we spent on this was so useful, really making us listen carefully and
think about the basics that underpin every piece of playing. I really enjoyed building up the rhythms to keep them
going as we went round the circle with the improvisation, it gave us plenty of opportunity to think about all of
this and kept us all involved all of the time. I also really enjoyed the final session yesterday, and the lesson
about waiting for the chord change if you don’t know what’s coming - so simple but so effective!
If once you have had the chance to recover from this one, you decide to run another masterclass next year, I would
definitely love to be there, so please save me a place.
Christine Adams
So many thoughts and feelings to process after the weekend . Two seem uppermost in my mind today.
Rhythm, and being able to switch between how you hear the pulse...lovely moment when I thought I'd got it, and
you could hear it wasn't accurate - so a session with the metronome every day it is then!
And - the whole question of where the music comes from. Thank you so much Peter for your willingness to share your
deeply personal thoughts about this. It is certainly making me think - and will continue to make me think about
what bring to my own playing.
Oh, and I've always "known" I can't do false harmonics, and now I find I can. So given that I've always
"known" the same about left hand pizz, I gave that a go today and what do you know? That made me laugh!
Thank you, thank you thank you...
I feel compelled to write while I still find myself somewhere in a bubble trying not to ‘come down’ after a magical
weekend.
Thank you so much for all you have given and for giving it so generously during these two days. It has affected
me very deeply in what I can only describe as a life-affirming way.
I expected the weekend to challenge me and hoped it would help me to confront some musical demons. It did both
of these things and much, much more.
I feel as if a whole heap of stuff has been drawn out from somewhere very deep, thrown in the air and jumbled up.
This has created an opportunity and a new energy to take a clear look at them and put them back in a different
order. Amidst the sheer beauty of your music as you played ‘The water is wide’ for us yesterday afternoon, all
of these things were floating around my head. Small wonder that nobody moved when the music finished. The spell
was too good to be broken.
Today, back home again and some of the rearranging has begun. This morning my metronome has moved from a dusty
top shelf to take up residence on the mantelpiece and had an opening conversation with my fiddle. Two planks of
wood with such potential for a lasting friendship…!
I cannot thank you enough Peter - for all the warmth, the laughter – and most of all for the inspiration, making
this life seem so much richer than it did when we set out on this journey last Friday afternoon.
Christine Adams
For now, suffice it to say that when I was falling asleep last night, the thought that I found going around my
head was something like,"I've always had the suspicion that I really am a musician and someone has shown me
how to access that part of me - a part of me that is not just important but fundamental to who I am." For
whatever reasons, some I'm aware of and some I'm not, I've never truly been able to access that before. So, again,
thank you.
Two fantastic gigs, and the massed fiddle experience on Saturday night was a real treat - several members of the
audience told me how much they had enjoyed it, including a couple who were there last year and had come back for
more.
I felt quite mentally and emotionally drained by the end of Sunday afternoon, but I think that is actually a good
sign, suggesting that some profound things were happening to me. I do hope it was rewarding for you too.
Once again, I have come away with ideas to move my playing forward, as well as some thoughts from last time, reinforced.
For me, the highlights of the Masterclass were the group improv sessions. I was actually very moved, on Saturday,
by the way you seemed to bring out the best in everyone's playing with the 'one-to-one' improvisations - quite
astonishing in a couple of cases. As I said as I was leaving on Sunday, it was a privilege to be part of that group,
and to watch people progress through the two days.
Masterclass with Peter Knight
Lower Oddington, Stow-on-the Wold, Gloucestershire.
Review by Geoff Vince
"As a guitar player of modest capability (amongst what might be describedas a "feast" of fabulous
fiddle players!), I did have some initial reservations about attending Peter's Masterclass, thinking at first that
I might be completely out of my depth.
I needn't have worried. It wasn't about having to demonstrate how well you could play, or what other participants
may have thought about anyone who had yet to reach a similar standard of playing to their own. It was about listening
to Peter's insights into the way he approaches his own playing, applying some of his ideas by putting them into
practice as a group (great fun!), and adding what we had learned to our respective musical vocabularies.
One of the great things about the weekend was that the programme was not set in stone. The way in which the class
developed and what the participants were able to take away with them was as much to do with what each of the students
wanted to learn as it was with what Peter had already intended to show them.
An added bonus for me - and everyone else, I am sure - was the presence of Gigspanner's Roger Flack (whose guitar
playing has been very accurately described as flawless), and Vincent Salzfaas, a wonderful percussionist who virtually
"gets inside" every note he plays. Having the opportunity to play with musicians of this calibre, and
with each of the participants who attended, was a rare privilege indeed.
I have come away from the weekend with inspirational insights into areas which included technique, creativity,
practising and performing, all of which can be applied to my own playing in the future. I have also learned how
to make the most of what I already knew and how to open up new avenues of creativity.
I remember one reviewer of "The Gemini Cadenza" describing Peter's playing on that recording as "egoless".
In my view, that's a very accurate description. Indeed, it could be said that Peter Knight is the personification
of musical integrity, because he doesn't allow anything to get in the way of his music. It's transparently clear
that the guidance he gives to his students emanates just as much from his heart as his playing does, and that is
why his classes are so effective.
To anyone who is thinking of attending one of Peter's Masterclasses, I would recommend that they grasp the opportunity
with both hands. All they'll need is a love of music and of the instrument through which they express themselves,
and an open and receptive mind - they will find it a thoroughly illuminating and enjoyable experience."
Review by Chris Nelson
I had been looking forward to this event for months, aware that it might be a unique opportunity since (at least
up until now) workshops and masterclasses with Peter Knight have been a rare thing. A little nervous too, at the
prospect of playing my fiddle in Peter's presence; that voice in the head known as the 'ego' can inflict such terrible
damage at times!
There were six of us in the group - five violin/fiddle players and a guitarist - and we (plus a few partners) met
up for a meal on the Friday night at the excellent Fox Inn, getting to know one another and, of course, Peter and
his partner Deborah. Good food and good company: this really was time well spent, as we didn't need to waste any
valuable time the following morning, breaking the ice.
The sessions during the two days were quite extraordinary. Peter is a unique musician and over the two days we
were privileged to be told, and shown, how he approaches his music, much of which is improvised. The members of
our group had different musical backgrounds, styles and levels of ability, but a love of traditional music in common.
Over a few hours, with gentle guidance from Peter, we found we could work together well, each person bringing something
of their own to what turned out to be a glorious, and essentially improvised, collective sound.
Saturday night arrived and so did Peter's trio, Gigspanner, who were to do a gig in the village hall. We were honoured
to be asked to play with them on three numbers, one of which was entirely unrehearsed and improvised; another was
my current favourite of Peter's compositions, Sharp Goes Walkabout.
Sunday was relaxed, post-gig, and we spent a lot of time chatting, a fair bit of time playing together, and the
fiddlers among us were lucky enough to be shown a few of Peter's trademark techniques, such as his uses of pizzicato
and harmonics. All too soon it was time to return home; I've just spent a rather weird Monday trying to do some
work, but finding that music was fighting constantly for my brain's attention!
I have to mention the wonderful food, provided by the talented Mo Griffiths and her family who worked hard all
weekend. Also Roger Flack (Gigspanner's guitarist) who contributed so much to the musical side throughout the weekend
and Deborah who played a huge part in making the whole thing happen. As for Peter, he is passionate about music,
has a remarkable talent as a teacher and communicator and is so generous in his desire to help people grow as musicians.
(He's a lovely bloke too, incidentally, and hilarious company.)
The legacy? Well it's early days, but I believe this masterclass will have a lasting, profound and exciting effect
on my playing. I have already been told that my sound is different and have noticed it myself. Quite unexpectedly,
I seem to be playing with more confidence and I am full of ideas that I hope I can develop in the coming weeks
and months, and use to good effect in my music.
I hear that Peter is planning to do it again. If so, I would recommend it to anyone who wants to take their playing
to a new level. You certainly don't need to be of a specially high standard to attend a so-called 'masterclass'
- it's Peter who is the 'master', not the participants! Come to the next one and free your inner musician.
Feedback from Participants:
Geoff Vince (Guitar)
This is just a brief message to express my warmest thanks to both of
you for one of the most enjoyable weekends I've ever had. It was an absolute joy to have been in such wonderful
company, to have been surrounded by so much beautiful music, and to have learned as much as I did.
It was good to meet Roger Flack as well and to have had the opportunity of having a "one-to-one" session
with him - he's a fabulous player and a lovely bloke.
Peter, you will never know how much that weekend has taught me and I thank you from the bottom of my heart. To
have had the opportunity of working on some of your material with you - and playing it with you as well - has been
such a great experience for me that it is actually quite difficult to put it into words.
And what a fantastic group of people to work with - Chris, George, the two Alisons and Ingrid are all such lovely
people. Pretty good fiddle players too!
The whole weekend was a joyful and inspirational experience. Thank you so much. Here's to the next one.....!
Chris Nelson (Fiddle)
I know we all said a lot of "thankyous" yesterday, but I feel
I need to write and thank you again for an amazing weekend. Everything about it was an absolute pleasure, including
the food (thanks again to Mo) and the Gigspanner experience (and I think I forgot to say how much I also enjoyed
the parts of the gig I was NOT involved in).
Most importantly, of course, the sessions during the day are something that, I am sure, will have a profound and
exciting effect on my playing. Siobhan has just told me that my sound is different and I think I have noticed it
myself - quite unexpectedly I seem to be producing a sweeter tone than usual today! And I am full of ideas that
I hope I can develop in the coming weeks and months and use to good effect in our music.
And what a lovely bunch of people to spend a weekend with - everyone did their bit to make the weekend such a relaxed,
open and friendly experience - I know I have made some new friends.
Georgina Clarke (Fiddle)
Just a quick note to say thank you so much for the weekend. It was absolutely
fantastic! I feel so inspired and supported. It's been a very emotional time, and I struggled to hold back the
tears at many points, mainly from the positivity given by everybody. I loved playing with so many violins, a very
special experience that I hope we can share again. I felt really looked after and spoilt!
Lots and lots of thanks, hugs and love, George xx
The following was written by renowned Fiddle player Brian McNeill following the Workshop he invited Peter to facilitate
at the Scottish Academy:
"Peter Knight is primarily known as the fiddler in Steeleye Span, the pioneering folk-rock group which has
done so much over the years to revitalise British traditional music. We here at the Royal Scottish Academy of Music
and Drama have recently, however, been treated to a different side of Peter's talents -as teacher and workshop
leader.
I have to say that the recent workshop he gave us on aspects of improvisation within traditional music is quite
simply the best I have ever experienced within our genre. It left our student body -excellent players themselves,
and hard to impress- both amazed and excited, and has already resulted in several serious new directions of study,
particularly for our fiddle players.
As a result, he now has a standing invitation to come and deliver workshops for us here at the Academy. I urge
you, if you have the opportunity, to do the same; it isn't often that we see the gift of music so well married
with the gift of education. The results as far as students are concerned will be deep, energising and long lasting".