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The much anticipated debut album from Peter Knight's Gigspanner is now available.

'Lipreading the Poet' will be released on the 5th of November.

The work featured on Peter's solo Album 'Too Late for Shadows' encompassed a seam of raw material that has been mined, polished and given renewed value by Gigspanner
. Three of those pieces appear on this album. D.W

Soundsample: The Butterfly

http://www.myspace.com/gigspanner

"This debut reverberates with Anglo-Celtic lilt and melancholy, robust Balkan accents, Middle Eastern and African intricacy and exuberance, Western classical poise and mainstream Jazz balladry. Lipreading the Poet is articulate, multi-lingual music making" Julian Cowley for "The Wire".

1. The Butterfly
2. Si Beg Si Mor
3.Sharpe goes Walkabout
4.The Water Carriers
5.Rolling down the Bourne
6.Camberwell Beauty
7.Autumn Leaves
8.The Banks of the Suir

Total Runnung Time 57 minutes

March 21st sees the release of Peter Knight's long awaited new Album,

'Too Late For Shadows'..........Listen to Sound Samples

Featuring an eclectic mix of musical genres, 'Too Late For Shadows' sees Peter departing from the classical overtones of 'Gemini Cadenza' into a personal exploration of multicultural influences.

Traditional English, Irish, French, Eastern and even Aboriginal themes have been imbued with Peter's customary inventiveness and unique slant.

The album features a balance of improvisation and arrangement, with the added attraction of two traditional pieces that are known and loved by Steeleye Span enthusiasts worldwide. D.W

1. The Lark In The Morning
2. Sharpe Goes Walkabout
3. Powdered Wigs And Fountains
4. The Water Carriers
5. Betsy Bell And Mary Grey
6. Lisinsky
7. Katrina Of Moorpark
8. Too Late For Shadows
9. Moulin Rogue
10. The Lark In The Morning (Reprise)

What the papers say:

"A most extraordinary album…listen to this and you will almost certainly want it in your collection." Simon Brown Folk on Tap.

"Distinctive and determinedly individual". Simon Jones Folk Roots.

"Unplanned ego-less playing that delivers on 'The Gemini Cadenza' some of the most melodic and spiritually nourishing music of 1998." John Crosby freelance writer contributing to Q, MOJO, Folk Roots, Living Tradition and others.

'The Gemini Cadenza'..........Listen to Sound Samples

The Gemini Cadenza Cover Image


1. The Gemini Cadenza
2. There's Always Tomorrow
3. The Life And Death Of Mrs. Pearson
4. Goodnight, sleep well





Feast of Fiddles
'STILL LIVE'. Latest CD release

This third live album 'Still Live' was available exclusively on the 2007 tour. The album was recorded live over the 2006 tour and contains previously unrecorded items from the live shows.

The band

Hugh Crabtree - Melodeon, Dave Harding - Bass, Dave Mattacks - Drums, John Underwood - Rhythm guitar,

Martin Vincent - Lead guitar

The Fiddlers

Peter Knight, Phil Beer, Ian Cutler, Tom Leary, Joe Broughton, Chris Leslie, Brian McNeill

1. Trumpet Hornpipe / Keel Row / In Paddy McGinty's Navy / Greensleeves
2. Princess Royal / Battle of the Somme
3. Brookside
4. Dark Eyes
5. Sharpe Goes Walkabout
6. Acadian Driftwood
7. Farewell to Tarwathie / Bill Malley's Schottische / Kitchen Girl
8. Pretty Nancy of Yarmouth
9. Autumn Leaves
10. Upton Upon Severn Stick Dance / Shave the Donkey / Jockey to the Fair
11. We May or Might Never All Meet Here Again
Running time 70 minutes








Feast of Fiddles
The band

Hugh Crabtree - Melodeon, Dave Harding - Bass, Dave Mattacks - Drums
, John Underwood - Rhythm guitar, Martin Vincent - Lead guitar

The Fiddlers

Peter Knight, Phil Beer, Ian Cutler, Tom Leary, Joe Broughton,
Chris Leslie, Brian McNeill

Nicely Wrong Cover.

For more information and

Track listing

Click here

(will open in new window)



Peter Knight & Danny Thompson

A rare collabortation between Peter Knight and Danny Thompson,
featuring two separate pieces totally improvised.


Not commercial, not for the faint-hearted, simply an honest exchange of
spontaneous musical ideas

Recorded in 1995.

"I returned to England after spending nearly four years in the States and it was suggested that Danny Thompson and I should record something together. I had toured with Danny and his band on the A38 project. There are two pieces of music on the album, simply entitled 'Number One' and 'Number Two' which were the first two pieces we played.

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